They both have their pros and cons, and we have yet to see how Substance will be able to handle assets with super high UDIM count, and texture resolution at the scale that MARI can.Īlso organic and Large environments or anything of that kind can be handled better using Mari. It is also a powerful painting and texturing application that can be used to work on 3d assets for films but I would say it is not going to be as effective as Mari is. Mari was used to painting and texture 3d assets in a big portion of VFX heavy movies like the Marvel and DC movies, and many other fantastic films we have seen recently.

And Several years later, the software was acquired by The Foundry.Īnd it became rapidly popular in some of the largest VFX production studios such as Digital Domain, Framestore, Dneg, and ILM just to name a few. It was developed by Weta Digital for the productions of King Kong and Avatar. (€19.When it comes to VFX work for film and television, Mari is the weapon of choice for many artists and studios in this industry because it was created to paint and texture models and characters in film projects with a super high resolution to keep the details visible even with close up shots. (Free or from $2/mo) – High-fidelity 3D modeling

(Free or from $225/mo) – Agile design process ($95/year) – Over 20 shape options for sculpting ($39.95/mo) – Allows you to create high-poly models

($49.99/mo) – Perfect to create HDR lighting That is why it makes sense to look for a powerful and worthy Substance Painter alternative. What’s more, it can hardly be called affordable as it costs $49.99/mo. However, if you are a beginner, then you will most likely find it difficult to master this 3D painting software. Substance Painter offers an impressive set of tools and attributes that will come in handy for digital artists.

Substance designer to painter